Loaded a colour film into my Pentax Z50p while out with my Photobuddies a couple of weeks ago and it promptly wound straight back into the cassette. So when I got home I decided to re-roll it into a spare cassette but with the emulsion the other way around to try Redscale for the first time (the light has to pass through the film base first before it hits the light sensitive emulsion) When I got to the end of rewinding the film some of the perforations were damaged so the Pentax feeling the resistance decided the film was finished and rewound.
I loaded the DIY Redscale into an Olympus trip that I haven’t used for ages. Wasn’t sure if I would get any results so just snapped away, the film was 200asa so I tried setting it at 100asa, 80asa when it was dull.
Straight From The Scanner
I always scan without any adjustments, then import into Lightroom for levels, colour balance and sharpening.
Adjusted In Lightroom
Having looked at some sample images of commercially available Redscale film this was the nearest I could get, so set it up as a preset in Lightroom.
The Last Plantagenet
They do really reasonably priced Fish & Chips and have a good selection of beers, before it was a pub it was an upmarket furniture store.
If I shoot some more Redscale I will probably rate it at 50asa.
Well I seem to have cured the hickey (UK definition !) problem by filtering the D76 developer before mixing it 1 to 1 with demineralised water, only a few spots on the negatives.
Over the last few weeks I’ve been using an Olympus 35DC, a fully auto compact rangefinder camera. The weather has been really mixed so I loaded it with Ilford HP5+ and pushed it to 800asa, the maximum the camera will set. It has a nice 40mm f1.7, 6 element lens, and is surprisingly heavy for a small camera.
After scanning in some old slides from the 1980’s see:- (turning vintage) and being impressed with the quality of the Pentacon, f3.5, 30mm lens I managed to get another copy (gave the last one to a friend when I updated my camera gear to Olympus)
I have an adaptor for M42 to Canon ef, I like the plastic Canon as it has focus confirmation, very good for my ageing eyes. I found that when I focused the lens at infinity the mirror wouldn’t return until I turned the lens to a closer focus distance. Loaded the Canon with a roll of TMax 400 that had expired in June 1994 that I found lurking at the back of the fridge. Developed the film in Adox Adonal at 1-100 dilution, and used semi-stand method for 60 mins. The results were not too bad considering the age of the film, and I know It wasn’t always fridge stored (my fridge isn’t that old !)
All You Need Is Love
This was taken on a very dark path leading to the arboretum, lens wide open. I have yet to post process the other images, spot removal, a bit of contrast, and sharpening, hopefully should be able to run them through LightRoom over the weekend, although I’m out tonight with my buddies for a Beer & Curry evening.
Here are a few more images from my bike ride taken with an Olympus OM2sp which has just been serviced. I loaded it with Rollei Superpan film and used a 24mm Zuiko lens with a Red filter to get a bit of an infrared look.
Marin At Rest
My New Friends
They were a really friendly pair, the bigger one got so close that she steamed up my lens filter.
I went out for a walk to the local arboretum on the 4th of July with my Olympus OM101 loaded with Rollei Superpan film. There were a couple of lenses I wanted to try out that had given me blank frames on a previous roll of film, I decided that it was probably the cheap AAA batteries that I had used so I bought some good quality Lithium cells, they worked fine. I used Red and R72 filters for the shots as Superpan has some infrared sensitivity.
It was a really hot bright day, hardly a cloud in the sky, would have been good to have had some clouds (never satisfied) When I arrived back at home I thought I would get the film into the developing tank ready for processing, letting it air dry overnight. That’s when the trouble started. Rollei Superpan is coated onto a thin base compared to most other films and I couldn’t get it to load onto the spiral, keep calm I kept saying to myself, the inside of the film changing bag was getting very humid, much like a Turkish bath which made things worse, eventually It went onto the spiral but I knew I had damaged the film.
Well this is what most of the frames looked like.
Straight out of scanner.
I cleaned up some of the frames the best I could in Lightroom which is very good for getting rid of a few spots and blemishes. But because Lightroom allows you to amend or delete any of the corrections you have made with this amount it starts to use up stacks of memory and eventually almost stops, OK for the odd blemish on a digital sensor but not good for this much cleaning up.
The Path To The Arboretum
Fortunately I’m not easily discouraged and realising that the reels must be 20+ years old I ordered a new developing tank which arrived in less than 24hrs along with a couple more rolls of Rollei Superpan.
An Eclectic Mix Of Revelation By Old Baldy. A Blog About Cumbria, Home Of The UNESCO Lake District National Park. Photographs, Paintings, Sketches & More. Mountains Are My Bones; Rivers, My Veins; Forests, My Thoughts.
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