Moki Dugway & Natural Bridges National Monument – Utah
It’s been quite a while since I posted on this subject, think these images were from 1992 my first visit to the USA, but could be 1995 when I visited this area again (wish I’d kept better notes)
Moki Dugway UT
The Moki Dugway is quite some road, it’s a steep dirt road, and driving an automatic gearbox car (I’m used to a manual box) added to the excitement, not to mention trying not to look at the view which is absolutely incredible. So much space, nothing quite like it in the UK.
Natural Bridges National Monument UT
Would have loved to have explored this area but needed to be on the road to the next destination, so just stopped long enough to get a few images.
A few more images from my visit to Dams Spinney on one of the few sunny days we have had lately. I was using my trusty old Olympus OM2n with Zuiko 24mm & old Tamron 90mm lenses, Cinestill 800 asa Tungsten balanced film with, and without the 85B light correction filter.
Both with 85B Filter
Blimey, reached 1,000 followers this week, amazing, never thought I would get anywhere near that amount. Much appreciated, “Thank You” to all the people who have followed my blog.
I’ve had a roll of Cinestill 800T sitting in the fridge (egg compartment) for over two years, so thought it was about time I gave it a try so loaded it in the Olympus OM2n. The T in the 800T means it’s balanced for Tungsten light, to balance it for daylight an 85B colour correction filter needs to be used, but from samples I’ve seen it can look good in daylight without a filter, to 85B or not to 85B. So I took a mixture of images with and without the filter at my favourite place of the moment Dams Spinney.
With 85B Filter
Well I like both of them, they seem to have a bit of an old fashioned look. I’ll have some more shots from this roll to post over the next few days.
Loaded a colour film into my Pentax Z50p while out with my Photobuddies a couple of weeks ago and it promptly wound straight back into the cassette. So when I got home I decided to re-roll it into a spare cassette but with the emulsion the other way around to try Redscale for the first time (the light has to pass through the film base first before it hits the light sensitive emulsion) When I got to the end of rewinding the film some of the perforations were damaged so the Pentax feeling the resistance decided the film was finished and rewound.
I loaded the DIY Redscale into an Olympus trip that I haven’t used for ages. Wasn’t sure if I would get any results so just snapped away, the film was 200asa so I tried setting it at 100asa, 80asa when it was dull.
Straight From The Scanner
I always scan without any adjustments, then import into Lightroom for levels, colour balance and sharpening.
Adjusted In Lightroom
Having looked at some sample images of commercially available Redscale film this was the nearest I could get, so set it up as a preset in Lightroom.
The Last Plantagenet
They do really reasonably priced Fish & Chips and have a good selection of beers, before it was a pub it was an upmarket furniture store.
If I shoot some more Redscale I will probably rate it at 50asa.
Well I seem to have cured the hickey (UK definition !) problem by filtering the D76 developer before mixing it 1 to 1 with demineralised water, only a few spots on the negatives.
Over the last few weeks I’ve been using an Olympus 35DC, a fully auto compact rangefinder camera. The weather has been really mixed so I loaded it with Ilford HP5+ and pushed it to 800asa, the maximum the camera will set. It has a nice 40mm f1.7, 6 element lens, and is surprisingly heavy for a small camera.
After scanning in some old slides from the 1980’s see:- (turning vintage) and being impressed with the quality of the Pentacon, f3.5, 30mm lens I managed to get another copy (gave the last one to a friend when I updated my camera gear to Olympus)
I have an adaptor for M42 to Canon ef, I like the plastic Canon as it has focus confirmation, very good for my ageing eyes. I found that when I focused the lens at infinity the mirror wouldn’t return until I turned the lens to a closer focus distance. Loaded the Canon with a roll of TMax 400 that had expired in June 1994 that I found lurking at the back of the fridge. Developed the film in Adox Adonal at 1-100 dilution, and used semi-stand method for 60 mins. The results were not too bad considering the age of the film, and I know It wasn’t always fridge stored (my fridge isn’t that old !)
All You Need Is Love
This was taken on a very dark path leading to the arboretum, lens wide open. I have yet to post process the other images, spot removal, a bit of contrast, and sharpening, hopefully should be able to run them through LightRoom over the weekend, although I’m out tonight with my buddies for a Beer & Curry evening.
An Eclectic Mix Of Revelation By Baldy. A Blog About Cumbria, Home Of The UNESCO Lake District National Park. Photographs, Paintings, Sketches & More. Mountains Are My Bones; Rivers My Veins; Forests My Thoughts.
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