55mm lens Setting This was the last real traditional department store in the city and has now sadly closed. I used to shop there for greetings cards and kitchen bits bobs, the staff were really friendly and helpful. The store was first opened in 1880, it was called Joseph Johnson & Co. (Some interesting History) This seems to be the story in a lot of countries around the world. I believe it’s going to become apartments, no surprise there.
Victoria Park Gateway
35mm lens Setting On a brighter note the the gates and stonework to Victoria park (not far from where I live) have been restored and look really good. They have also completely rebuilt the car park, I was a bit dismayed at first because they cut down a lot of trees, but have replanted with more than there were before.
I couldn’t resist, it was on that auction site at a £1.00. starting bid, but the postage was £5.00. (a bit steep) No one else bid so it was mine. I have always liked Ricoh cameras and this was a model I hadn’t seen before. It has a dual lens (35mm & 55mm) rather than a zoom, the flash can be turned off by a flicking a slider, there’s an infinity button and the viewfinder cover acts as the on/off switch. The camera is quite small and easily fits in a coat pocket, and an added bonus is that it takes two standard AA batteries.
Loaded it up with £1.00 a roll Agfa Vista 200asa and took it out with me on my walks to town.
Natural Green (35mm)
The light was quite tricky for this shot, sun and shade. I have found Agfa Vista 200 has a slight magenta cast, but the Ricoh coped well with the lighting conditions.
Brightening Up The Park (35mm)
More tricky lighting.
Pegs & Finials (55mm)
Having recently bought a Nikon TW zoom 35-70 and then donated it to a charity shop because of the really slow autofocus I didn’t know what to expect from the Ricoh, I needn’t have worried, it has one of the quickest autofocus systems of all of my compact cameras.
The film was developed by a local high street photo store, and scanned in by me on my Nikon Coolscan as near to neutral as I could get, with some contrast and sharpening adjustments in Lightroom to get rid of the digital fug.
Shoot a film roll underexposed, send it to an enthusiast in the other corner of the world through snailmail. Let them reload and reshoot the film, again underexposing. Get the film processed and create bizarre cross country double exposures! We are on more social networks than you can imagine. Contact us at to join the fun on your preferred network.